2005 Production Photos photos by Tom Rubendunst
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December 21 - 30,2005 Zionsville Performing Arts Center Written and Originally Directed and Choreographed by STUART ROSS Musical Continuity Supervision and Arrangements by JAMES RAITT Originally Produced by Gene Wolsk Produced by special arrangement with Music Theatre International (MTI) Directed & Choreographed by DON FARRELL Musical Director TERRY WOODS Stage Manager AMY K. DENKMANN* Lighting Designer AARON SEELIG Sound Designer JOSHUA D. HUTCHINSON Scenic Draftsman SCOTT SARGENT Costume Designer VALERIE HOLT Production Manager MATT SPURLOCK THE CAST FRANKIE..................MICHAEL DOTSON* SPARKY...........................DON FARRELL* JINX.....................................JON LAMBERT SMUDGE...........................SCOTT GANYO * Denotes members of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States THE BAND Pianist............................TERRY WOODS Bass..................................DON JENKINS ANNOUNCER..........................JIM REAM |
REVIEWS From the Indianapolis Star - December 25, 2005 By Nick Crews Vocal harmony, like love, is a many-splendored thing. And in "Forever Plaid," the show the Actors Theatre of Indiana has brought to the Zionsville Performing Arts Center, that splendor joins a zany -- if somewhat geeky -- story, sharp musical arrangements and a rich set to bring warmth and entertainment to a chilly evening. In the 1950s, four young men form a vocal harmony group, the Plaids, after meeting in a high school audiovisual club. Frankie (Michael Dotson), Sparky (Don Farrell), Smudge (Scott Ganyo) and Jinx (Jon Lambert) are nice boys for whom life's chief joy is striving toward the seamless, four-part vocal harmonies of their heroes: the Four Lads, the Four Aces and (Butler University's own) the Four Freshmen. But on the way to their first professional gig, a bus full of teenagers (headed to see the Beatles at "The Ed Sullivan Show") slams into their car, dispatching the Plaids to death and silent limbo. Decades pass. Then, by some wondrous act of providence, the boys get a chance to return to Earth to perform. That show becomes our show, as the Plaids sing like the angels they are, swaying, finger-popping and bumbling (they are green kids, after all) through almost 100 minutes of mostly entertaining musical comedy. If the book is disposable, it does establish a fun narrative on which to hang the production's 30 songs. These standards date from that musical era -- bookended by Bing Crosby and the Beatles -- when warm and close group harmonies, not screaming Stratocasters, were the basis of pop music. Songs include "Catch a Falling Star," "Shangri-La" and Plaid finale "Love Is a Many-Splendored Thing." The performance by Dotson, Farrell, Ganyo and Lambert is a tribute to the beauty of this nearly forgotten musical idiom of close-wrought vocal harmony. They bring enthusiasm, heart and soul and a harmony worthy of James Raitt's layered arrangements, aided by Terry Woods (piano) and Don Jenkins (bass). Director Farrell (who also choreographs) adds sheen by again tapping Atlanta-based scenic designer Scott Sargent for another winningly stylish set. From NUVO - December 28, 2005 Harmony with your joy Forever Plaid
Terry Woods (musical director; top left), Scott Ganyo, (bottom row, left to right) Don Farrell and Jon Lambert in Actors Theatre of Indiana's 'Forever Plaid' Add a little harmony to go with that joy this holiday season. Actors Theatre of Indiana is presenting a light-hearted, well-tuned Forever Plaid at the Zionsville Performing Arts Center. The four members of the ’50 singing group The Plaids come back from limbo to perform the concert that they were suppose to the night they died. A little goofy, a little self-conscious after 40-plus years of no practice, the guys sincerely and sweetly take the stage for an evening of music, pre-rock and roll.
The four voices blend well, creating a sound that transports audiences back in time. Songs such as “Undecided” feature cute moves, and Farell is a hoot on “Perfidia.” Standout numbers include “No Not Much” and an impressive bass from Ganyo on “16 Tons.” But the best “number” was the Ed Sullivan Show in three minutes and 11 seconds. Watch for your favorite highlights. The Plaids go Calypso with “Matilda,” including a sing-along, and some lucky audience member gets to come on stage to help out with “Heart and Soul.” The second half of the show the guys cut loose more, as their newfound material selves settle in, and the pace of the show picks up. While the first half sees them stumbling (on purpose), after intermission they have their groove back — for the most part. While the show is funny, there is just a tinge of sadness, since after the concert the guys have to go back. Where, no one really knows. Pianist Terry Woods and bassist Don Jenkins provide steady backup in the musical department. Sets and costuming are fine, if not dazzling.
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